剧情：
1961年上映， 雪莉·克拉克 / Shirley Clarke执导，由Barbara Winchester Barbara Winchester<br,Jerome Raphael Jerome Raphael<br,Freddie Redd Freddie Redd<br,威廉·雷德菲尔德,Henry Proach Henry Proach<br,Jackie McLean Jackie McLean<br等主演的药头 The Connection在美国发行，
豆瓣评分和口碑都很不错，药头 The Connection手机在线观看等资源均是网络收集而来。
译 名 药头
片 名 The Connection
年 代 1961
产 地 美国
类 别 剧情
语 言 英语
上映日期 1961-05(戛纳电影节)
豆瓣链接 https://movie.douban.com/subject/1477195/
片 长 110 分钟
导 演 雪莉·克拉克 / Shirley Clarke
演 员 Barbara Winchester Barbara Winchester
Jerome Raphael Jerome Raphael
Freddie Redd Freddie Redd
威廉·雷德菲尔德 / William Redfield
Henry Proach Henry Proach
Jackie McLean Jackie McLean
卡尔·李 / Carl Lee
罗斯科·李·布朗尼 / Roscoe Lee Browne
华伦芬纳蒂 / Warren Finnerty
编 剧 杰克·盖尔伯 / Jack Gelber
制 片 人 Lewis M. Allen Lewis M. Allen
雪莉·克拉克 / Shirley Clarke
音 乐 Freddie Redd Freddie Redd
摄 影 Arthur J. Ornitz Arthur J. Ornitz
剪 辑 雪莉·克拉克 / Shirley Clarke
美 术 艾尔伯特·布伦纳 / Albert Brenner
理查德·希尔伯特 / Richard Sylbert
服 装 鲁斯·莫利 / Ruth Morley
简 介
THE CONNECTION is one of the most vital, fascinating films of the American independent world. Created by a woman director, Shirley Clarke, at a time when they were in very short supply, the film shattered stereotypes in just about every conceivable way. And yet, the film remained unseen for many years.
The Connection was a play within a play within a jazz concert. It portrayed a group of drug addicts, some of them jazz musicians, waiting in a New York loft apartment for their drug connection. A producer and a writer, meanwhile, have entered their lives to study them and write a play about them. The brilliantly written Beat dialogue was blended with jazz music written by the great pianist Freddie Redd.
Clarke changed the character of the writer to Jim Dunn, a young, preppy filmmaker out to make a name for himself by documenting the "scene." As Clarke was best friends with the hot new indie directors, she added a level of humor by poking fun at the cinema verité movement. She also chose to keep the play's one-set constriction, but she combined the French New Wave’s mobile camera with a whirling choreography of movement and jazz to create an exciting, kinetic film that was acclaimed at the Cannes International Film Festival as a masterpiece. Yet even knowing the avant garde nature of the play and her film, little could Clarke recognize the furor the film was about to create.
