魔鬼的陷阱

1962年上映，法兰提塞·维拉席执导，由VítezslavVejrazka米罗斯拉夫·马哈切克CestmírRandaVítOlmerKarlaChadimováVlastimilHasekFrantisekKovárík雅罗斯拉夫·毛奇卡约瑟夫·赫利诺马兹贝德里奇·卡兰JiríBelohoubekJirinaBíláMonikaIndingerováLadislavKazdaMilanKindl伊里·弗斯塔拉等主演的魔鬼的陷阱在捷克斯洛伐克发行， 豆瓣评分和口碑都很不错，魔鬼的陷阱手机在线观看等资源均是网络收集而来。

InthetimeofCounter-ReformationamillerandhissoncomeunderinvestigationbyapriestoftheInquisitionwhenrumorsspreadthattheirprosperitycomesfromworkingwiththeDevil.TheDevil’sTrapisafilmdirectedbyFrantišekVlá?ilbasedonanovelbyAlfrédTechnikadaptedbyFrantišekA.DvorákandMilošKratochvíl.ItwasthefirstofthreehistoricaldramasthatVlá?ilmadeduringtheCzechNewWave(technicallyheisn’treallyapartoftheNewWavehoweverthesefilmsweremadeduringthesameeraofartisticfreedom)precedinghismorewellknownMarketaLazarová(1967)andValleyoftheBees(1968).Setinthelate16thCenturyduringtheCatholicReformationintheMoravianKarstsituatedinwhatisnowtheEasternCzechRepublicittellsthetaleofamiller(VítezslavVejrazka)andhissonJan(VítOlmer)whocomeundersuspicionandareinvestigatedbyaJesuitpriestoftheInquisition(MiroslavMacháchek)whenrumorsofwitchcraftarespreadbythelocalregent(CestmírRanda)whoisjealousofthemiller’sprosperityanddegreeofrespectamongthelocalpopulace.AsexpectedfromVlá?ilthisfilmisastunningexperienceallthewaythrough.FromtheopeningshotanominousmanipulationofperspectivewithacloseupofamangledfigureofChristdominatingtheforegroundagainstatinyfigureinblackwalkingalongthehorizontothebreathtakingconfrontationalfinaleinsidethevaststalactitefilledKarstcavernsitisawonderfuldisplayofvisualmastery.MaybenotquiteasimpressiveasMarketaLazarovábutstillfullofastonishingimagery.Asseenfromuniqueanglesanddistinctpointsofviewwhichhighlightthedirector’sremarkablesenseofawarenessofframingmotionandpositioningontheemotionalanddramatictoneofthescene.Themostmemorablebeingarepeatedshotwherethecameraissuspendedandlaunchedwithspeedthroughtheairtowardsthemiller’sdoor.ThestoryhereisasimpleoneandIwouldsaymoreaccessiblethanhislaterworks.Withaconventionalstructureemphasizedasmuchbyitsplotandcharactersthanbyitsexpressionisticcinematographyorauthentichistoricaldetail.Theeventsplayoutwithoutmuchsurpriseandthereisastrongunderlyingalmostsupernaturalmysteriousaspectthatisleftunresolvedinfactbarelyexploredwhichisslightlydisappointingbutonlybecauseit’ssofascinatingthatIwishtherewasmore.Actingisgreatallaround.Particularlythevillains:MiroslavMacháchekasthepriestcastingasinisterandimposingshadowwhereverhegoesandCestmírRandaastheweasellikeregentbehindallthepersecution.WhileVítOlmerbringsacharismaticleadingmanpresenceinhisroleasthemiller’ssonJaninlovewiththelovelyorphangirlMartina(KarlaChadimová)whobecomesadangerousobjectofrivalrybetweenJanandotheryoungmenofthevillage.ThefilmalsofeaturestheevocativemusicofZden?kLiška(perhapsthemostprolificcomposeroftheCzechNewWave).InthishissecondofelevencollaborationswithVlá?ilhiscompositionsareusedsparinglybuttogreateffectcomplimentingbutneveroverpoweringascene.Thebestexampleofwhichcanbeheardinanamazinglyshotcelebrationanddancesequenceattheendofthesecondact.TheDevil’sTrapmightnotbeamasterpiecebutitisstillastrongeffortwithafascinatingstraightforwardstoryandaglorioushistoricalsettingcapturedbeautifullybyVlá?il’sunmistakablevisualprowess.AfineworkthatwouldalsobetheperfectstarterplatetoprepareyourselfforthechallengingfeastofMarketaLazarováorTheValleyoftheBees.Itevenhasaneasytodigestrunningtime.It’sthereforepuzzlingwhythisgemremainslargelyoverlookedandignored.